أريد الترجمة الى العربية علما بأن النص من كتاب...

أريد الترجمة الى العربية علما بأن النص من كتاب يشرح أحد برامج الكمبيوتر و هو برنامج الفوتوشوب . إذا استعان المترجم بالترجمة الالية فنرجو تصحيح الأخطاء قبل ارسال الترجمة . استعنت بكم لان الوقت ضيق فأرجو عدم تعطيلي ...... النص المطلوب ترجمته Foreground and Background Color Chips Photoshop can handle millions of colors, but its tools let you work with only two at a time: a foreground color and a background color. Each of these is visible as a square color chip near the bottom of the Tools panel (labeled in Figure 2-9, where they’re black and white, respectively). Photoshop uses your foreground color when you paint or fill something with color; it’s where most of the action is. The program uses your background color to do things like set the second color of a gradient (a smooth transition from one color to another, or to transparency) and erase parts of a locked Background layer (Restacking Layers); this color is also helpful when you’re running special effects like the Clouds filter (Pixelate). To change either color, click its color chip once to open the Color Picker (Other Color Scheme–Generating Tools), which lets you select another color for that particular chip. To swap your foreground and background colors, click the curved, double-headed arrow just above the two chips or press X. To set both color chips to their factory-fresh setting of black and white, click the tiny chips to their upper left or press D (in a two-column Tools panel, they’re at the lower left). Remember these keyboard shortcuts; they’re extremely handy when you work with layer masks, which are discussed in Chapter 4. Common Panels As mentioned earlier, when you first launch Photoshop, the program displays the Essentials workspace, which includes several useful panels. Here’s a quick rundown of why Adobe considers these panels “essential”: Color. This panel in the upper-right part of your screen includes your current foreground and background color chips. This panel lets you pick a new color for either chip without opening the Color Picker (which is a big dialog box that can hide part of your image, though you can always move it). This panel is discussed in detail in Chapter 13. Swatches. This panel holds miniature samples of colors, giving you easy access to them for use in painting or colorizing images. This panel also stores a variety of color libraries like the Pantone Matching System (special inks used in professional printing). You’ll learn all about the Swatches panel in Adjustments. This panel lets you create Adjustment layers. Instead of making color and brightness changes to your original image, you can use Adjustment layers to make these changes on a separate layer, giving you all kinds of editing flexibility and keeping your original image out of harm’s way. They’re explained in detail in Chapter 4, and you’ll see ’em used throughout this book. Styles. Styles are special effects created with a variety of layer styles. For example, if you’ve created a glass-button look by using several layer styles, you can save the whole lot of ’em as a single style so you can apply them all with a single click (instead of adding each style individually). You can also choose from tons of built-in styles; they’re all discussed starting on Layer Styles. Layers. This is the single most important panel in Photoshop. Layers let you work with images as if they were a stack of transparencies, so you can create one image from many. By using layers, you can adjust the size and opacity of —and add layer styles to—each item independently. Understanding layers is the key to Photoshop success and non-destructive editing; you’ll learn all about them in Chapter 4. Channels. Channels are where Photoshop stores the color information your images are made from. Channels are extremely powerful, and you can use them to edit the individual colors in an image, which is helpful in sharpening images, creating selections (telling Photoshop which part of an image you want to work with), and so on. Chapter 6 has the scoop on channels. Paths. Paths are the outlines you make with the Pen and shape tools. But these aren’t your average, run-of-the-mill lines—they’re made up of points and paths instead of pixels, so they’ll always look perfectly crisp when printed. You can also make them bigger or smaller without losing any quality. You’ll learn all about paths in Chapter 14. History. This panel is like your very own time machine: It tracks nearly everything you do to your image (the last 20 things, to be exact, though you can change this number using preferences [see Changing How Far Back You Can Go]). It appears docked as a button to the left of the Color panel group. The next section explains how to use it to undo what you’ve recently done (if only that worked in real life!). Properties. This panel, which is also docked to the left of the Color panel group, is a combination of the Adjustments and Masks panels that were in older versions of Photoshop. It gives you one-stop access to all the settings for Adjustment layers and, new in this version, Shape layers. This panel also lets you create and fine-tune layer masks. You’ll dive headfirst into masks in Chapter 4; for now, you can think of them as digital masking tape that lets you hide the contents of a layer. The Power of Undo Thankfully, Photoshop is extremely forgiving: It’ll let you back out of almost anything you do, which is muy importante when you’re getting the hang of things. You’ve got several ways to retrace your steps, including the lifesaving Undo command. Just choose Edit→Undo or press ⌘-Z (Ctrl+Z). The Undo command lets you undo the very last edit you made. If you need to go back more than one step, use the Step Backward command instead: Choose Edit→Step Backward or press Option-⌘-Z (Alt+Ctrl+Z). Straight from the factory, this command lets you undo the last 20 things you did, one at a time. If you want to go back even further, you can change that number by digging into Photoshop’s preferences, as the next section explains. You can step forward through your editing history, too, by choosing Edit→Step Forward or Shift-⌘-Z (Shift+Ctrl+Z).